Txintxua Films Boards Emotional Drama 'This Is the Memory
· food
Txintxua Films Boards ‘This Is the Memory,’ a San Sebastián Forum Title From Berlin First Feature Winner Martínez Bucio (EXCLUSIVE)
Txintxua Films, in collaboration with Colectivo Colmena, has acquired “This Is the Memory I Would Like to Have of Mom,” the second feature from Mexican filmmaker Ernesto Martínez Bucio. This Spain-Mexico co-production marks a significant development in the growing collaboration between Spanish-language creators.
Founded in 2008 by Asier Altuna and Marian Fernández Pascal, Txintxua has established itself as a major player in international film and television. Its success with Netflix series “Intimacy” demonstrates the increasing demand for Spanish-language content globally. Colectivo Colmena’s Jose Pablo Escamilla and Mauricio Calderón Rico have also made significant strides in recent years, pushing the boundaries of Mexican cinema with films like “Mostro” and “All the Fires,” both of which premiered at major festivals.
Martínez Bucio’s “This Is the Memory I Would Like to Have of Mom” joins this growing list of innovative projects. The film centers around Marina, a 27-year-old woman grappling with her mother’s death and subsequent cancer diagnosis. Through cassettes containing her mother’s voice, Marina creates false recordings and invented memories as she struggles to cope with grief.
The production team behind “This Is the Memory I Would Like to Have of Mom” understands its significance within the broader landscape of Spanish-language cinema. Martínez Bucio notes that the film is an exploration of the grieving process, the search to understand one’s own existence and family memory as a collective construction. This sentiment echoes Fernández Pascal’s view of this collaboration as a natural progression for Txintxua.
The San Sebastián Forum will provide a crucial platform for “This Is the Memory I Would Like to Have of Mom” to connect with potential collaborators and industry professionals. For independent filmmakers like Martínez Bucio, these forums have become increasingly strategic in navigating the complex landscape of international co-productions.
With its blend of personal narrative and exploration of universal themes, this film is poised to resonate with audiences around the world. As Martínez Bucio and his team prepare to share their vision with the world at San Sebastián, one thing is clear: “This Is the Memory I Would Like to Have of Mom” will leave an indelible mark on the future of cinema.
Reader Views
- CDChef Dani T. · line cook
What's most striking about Txintxua Films' latest acquisition is the way it blurs the lines between reality and memory. Martínez Bucio's film isn't just a grief-stricken drama, but an exploration of how our perceptions shape family narratives. With the increasing emphasis on authenticity in storytelling, "This Is the Memory I Would Like to Have of Mom" raises questions about the ethics of creative license in documentary-style filmmaking. How will this tension be resolved, and what does it say about our willingness to manipulate the truth for artistic purposes?
- TKThe Kitchen Desk · editorial
The latest acquisition by Txintxua Films is a timely reminder of the growing importance of Spanish-language cinema globally. But what sets "This Is the Memory I Would Like to Have of Mom" apart from other grief-stricken dramas is its innovative use of cassettes as a narrative device. It's refreshing to see a film tackling the complexities of family memory and the search for identity, but it remains to be seen how Martínez Bucio balances emotional authenticity with the risk of sentimentality in his portrayal of Marina's fabricated memories.
- PMPat M. · home cook
It's great to see Txintxua Films taking on emotionally charged stories like "This Is the Memory I Would Like to Have of Mom". However, I'm concerned that the film's focus on grief and invented memories might be a tough sell for some audiences. With the rise of streaming services, it's easier than ever for viewers to skip through emotional content or jump straight to the resolution. Will this film find an audience beyond film festival circuit-goers, or will its raw emotions lose some viewers in translation?